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A young boy named Takeshi steals an origami crane from his friend Nobu. To Takeshi's surprise the crane begins talking to him and offers to take hi...

14 de out. de 1989

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

01 de jan. de 2004

A series of 16 "short stories" created by the creator's group Images Forum.

23 de dez. de 2006

Originally titled Stone No. 2, this is considered a seminal work of Japanese independent animation. Stones, houses and the surrounding natural lan...

01 de jan. de 1975

This is Aihara’s earliest surviving work. Motifs of psychedelic culture and the anti-war movement are directly scratched and painted on translucen...

01 de jan. de 1969

Abstract forms animated in drawings.

05 de mai. de 1980

A turning point toward abstraction in Aihara’s career, this work was originally created for the “100 Feet Film Festival”.

04 de abr. de 1974

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

01 de jan. de 2002

Animation of a devil floating in air, Aihara created both a black and white and color version of this work by painting directly on the film.

05 de mai. de 1975

A collaborative film between Keiichi Tanaami and Nobuhiro Aihara with a new interpretation of the traditional Japanese folk tale.

01 de jan. de 2007

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

01 de jan. de 2008

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

01 de jan. de 2011

An animation that combines the motion of abstract lines and the motif of an apple.

01 de jan. de 1984

Following on from Shelter (1981), the setting is again an air-raid shelter. Close-up images of trees are dissected and reformed abstractly. The f...

06 de jun. de 1981

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

31 de dez. de 2003

Understood as an extension of Reckless Daydream (1974), abstract forms are transfigured. This version includes the intended processing of the blue...

05 de mai. de 1976

Darkness and light, as seen by VIFF’s favourite Buddhist erotist. Part of the TOKYO LOOP animation anthology produced by ImageForum Japan.

23 de dez. de 2006

Animations overlaid on a rough grained photo of the Japanese mountain countryside. The physical painting of Japanese lacquer directly onto the fil...

05 de mai. de 1973

An upbeat comical animated collage telling the story of a man attempting to fly with artificial wings.

05 de fev. de 1972

A compendium of independent Japanese animation, featuring a wide range of experimental techniques from drawn animation to pixilation.

18 de set. de 2013

A psychedelic animation that starts with an irregular ink spread and develops while increasing the degree of confusion.

01 de jan. de 1996

31 de dez. de 2004

Circles printed on white paper. Animation frenzy as music becomes more erotic/erratic.

01 de jan. de 2008

Set in a cave imagined as an air-raid shelter, images of the surrounding trees are painted over directly on the film. Vivid colors intermixed with...

06 de jun. de 1980

A uniquely psychedelic animation of sordid and chaotic images.

01 de jan. de 1985

In his early experimental short Karma (カルマ, 1977), Aihara uses water as his central motif. The film is hand drawn and appears to be shot on 16mm us...

01 de ago. de 1977

The interactions of troops and prostitutes near the Naval Air Facility Atsugi (Kanagawa Prefecture), animated from a child’s perspective. Aihara’s...

02 de fev. de 1972

A photograph of Aihara’s grandmother, overlapped with a tranquil documentary style animation of her life ending at her funeral scene.

04 de abr. de 1973

This animated documentary is derived from footage shot at the site of the Sanrizuka struggle opposing the construction of Narita Airport. In additi...

01 de jan. de 1971

Begun in 8mm film, but completed in 16mm following the purchase of a new camera, this work continues with the psychedelic and anti-war themes, whil...

01 de jan. de 1970

It is a monster work that depicts a disturbing air by drawing a scene with the crow as a motif and the scenery of Kyoto in parallel with a frame shot.

01 de jan. de 1992

Ice/ink on white, then into black and red explosive figures, a finger appears.

01 de jan. de 1999

A colorful psychedelic animation developed by drawing motifs of each part of the ear and body.

01 de jan. de 1995

An appropriation of an ukiyo-e print of Katsuhika Hokusai, this work incorporates multiple exposures and a range of animation techniques. Recently...

04 de abr. de 1973

An image of an Inari shrive, overlapped with the hands of a monk holding a symbol. The work’s shamanistic imagery and rapid speed are precursors t...

03 de mar. de 1973

A documentary style animation of an apiarist at work in combination with scenes of a seaside village, overlapped with images of a boy trying to esc...

03 de mar. de 1972

A stop-motion animation of endlessly moving forward towards a quarry.

05 de mai. de 1975

Experimental short by Nobuhiro Aihara.

01 de jan. de 1978

Steps with shadows. An arm shadow in the landscape - concrete/grass/flowers. Flicker and a finger morphs into abstraction. A real hand appears abov...

01 de jan. de 1987

Photos taken with pinhole camera, sky + clouds. Swirling animation like smoke against a black background.

01 de jan. de 1999