David Rimmer

Variously relaxed, apprehensive, or relieved, the fractured gestures of a woman and a baby are played backward and forward, frame by frame, like a ...

07 de mai. de 1973

"David Rimmer's film is at once a somber and celebratory meditation on time and place. Its title, 'Local Knowledge', is marine terminology for what...

01 de jan. de 1992

An experimental film by David Rimmer (2003) which was influenced by or done to be performed at 'Rave' concerts which Rimmer was fond of attending i...

01 de jan. de 2003

Canadian Pacific II is designed as a companion piece to Canadian Pacific I. Shot from a window two storeys higher and in the building adjacent to ...

06 de jul. de 1975

"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-...

01 de jan. de 1969

An award winning 45-minute film portrait of Al Neil’s life, music and art. Preserved by the Academy Film Archive in 2013.

01 de jan. de 1979

The basic image derives from a shot of women in (Edwardian era) dresses standing along the edge of the ocean. Within this eight-second loop, [Rimme...

01 de jan. de 1971

«CODES OF CONDUCT playfully upends the moral order by which man has historically seen fit to measure so called correct behaviour - by ironically re...

01 de jan. de 1997

The structure of the film alternates between looped, processed stock TV imagery and a blank, static blue screen. This formal motif - a blank frame ...

01 de jan. de 1986

Experimental short subject preserved by the Academy Film Archive in 2014.

01 de jan. de 1984

A hauntingly beautiful film about the world's flight into chaos. Rimmer has taken McLaren's camera-less technique to new heights. He paints directl...

01 de jan. de 2003

Gary Lee-Nova's comedic, anarchic boxing short.

01 de jan. de 1973

A rapid fire montage, a dynamic juxtaposition of the world’s vital and destructive forces, the title originating from a Chinese text which refers t...

01 de jan. de 1968

A video of a dance performance by the Karen Jamieson Dance Company.

01 de jan. de 1985