Dore O.

Attracted to Nordic landscapes, [Dore O.] filmed KALDALON (1970/71) in Iceland where images of water, rocks, steam and smoke were technically enhan...

01 de set. de 1971

The German artist Joseph Beuys is reflecting on his theory of art, being filmed as a kinetic sculpture. In 1981, the film has won the German film ...

01 de jan. de 1981

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.

01 de mar. de 1969

In “jüm-jüm” by Dore 0. and Werner Nekes, a girl swings for 10 minutes in front of a movie screen, on which is painted a phallus (slightly abstract...

29 de dez. de 1967

An experimental film where a particular space is constantly "present" : there is a complex usage of superim- position, and of split-screen effects....

27 de dez. de 1974

Short film dedicated to Georges Melies.

01 de jan. de 1982

According to the director, "Memory is a cruel hope without awakening."

07 de out. de 1969

A painterly, poetic experimental film with narrative elements. A woman is looking after an obviously blind man. She undresses, bandages and dresses...

01 de jan. de 1988

A painter surrounded by images - his own and those of the reality that surrounds him - is the protagonist of the latest film by Dore O., moves exac...

01 de jan. de 1994

Enzyklop is a rediscovery and reconstruction of the cyclopean gaze that Odysseus erased to free himself. The search for the lost view leads to inte...

20 de abr. de 1985

A female figure wanders inside a warehouse interior and through various motifs, including a fan and a birdcage, set to a medieval chant.

01 de mai. de 1973

In 1920 Frans Masereel published in Paris his woodcut series "The idea". Dore O. has draw inspiration from this work on her first feature film, a p...

01 de jan. de 1991

A series of still photographs, is various states of photographic exposure.

01 de jan. de 1976

Traces a series of forever-winding staircases like liminal excerpts from an endless memory-spool, asking the viewer which spaces their eyes may hav...

01 de jan. de 2000