Ed Emshwiller

A Caminho do Leste é considerado um dos documentários musicais mais revolucionários de todos os tempos. Aqui, o diretor D. A. Pennebaker acompanha ...

17 de jun. de 2021

George Orr, um homem cujos sonhos podem mudar a realidade, tenta suprimir esse presente imprevisível com drogas. O Dr. Haber, um psiquiatra designa...

09 de jan. de 1980

Emile de Antonio's film decimates Richard Nixon and exposes him as a paranoid, power mad lunatic... de Antonio compiles (via video and film) what a...

28 de set. de 1971

17 de ago. de 1966

Power saws and a heartbeat score this experimental light-and-color shot by Ed Emshwiller.

25 de mai. de 1963

Experimental computer animation from pioneering artist Ed Emshwiller.

31 de dez. de 1979

Shot during the 1968/69 school year at University of California Berkeley, Report was created as part of Norman Jacobson’s experimental political sc...

05 de mai. de 1970

The American Way foi dirigido por Marvin Starkman, escrito por Bob Feinberg e interpretado por John Cazale, Bill Graham e John Heffernan. Um curta ...

12 de abr. de 1962

Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, fla...

16 de dez. de 1963

Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstr...

19 de mar. de 1973

Employing experimental techniques, Emshwiller magically moved through a collection of objects and artifacts in order to capture the spirit of Georg...

19 de jul. de 1965

Ed Emshwiller’s tender portrait of his wife, avant-garde science fiction writer Carol Emshwiller.

17 de jun. de 1970

"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't th...

02 de jul. de 1965

In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate “space in a kind of flying camera,...

11 de mar. de 1971

Emshwiller terms Family Focus a "family self-portrait, a stylized autobiography," which takes the form of an intimate collage of home movies, black...

05 de mai. de 1976

THE STREETS OF GREENWOOD (1962), looks at voter registration efforts by the Student Non-Violent Coordinating Committee (SNCC)and a concert in a cot...

05 de set. de 1962

A film by Ed Emshwiller made with writers from the Original Milford Science Fiction Writers Conference. Silent film. Mid 1950s.

02 de nov. de 1956

In New York four years after the bombing of Hiroshima, a bible-carrying drifter who witnesses the rape and murder of a black woman is framed and pu...

05 de mar. de 1962

A delightful short film shot in reverse in which the main protagonist enjoys a day on the town.

01 de jan. de 1963

Suite 212 is Paik's "personal New York sketchbook," an electronic collage that presents multiple perspectives of New York's media landscape as a fr...

28 de dez. de 1974

Oysters Are in Season feautures the improvised humor of Swede Sorenson, Dean Preece and Molly Parkin as they play out sharply satiric situations. U...

01 de jan. de 1966

This independent underground feature films two dancers (Carolyn Carlson and Emery Hermans) in silhouettes and shadows. Other couples discuss their ...

18 de abr. de 1969

Skin Matrix S is a short version of the piece Skin Matrix.

09 de set. de 1984

The ten-year-old filmmaker (and star) pays homage to the Star Trek series.

01 de jan. de 1969

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized danc...

27 de jul. de 1972

"A film version of a videotape. In it my drawings are animated and colorized by using computers. Walter Wright and Richard Froeman were on the comp...

01 de jan. de 1972

This biker documentary was selected for screening at the 1964 Flaherty Film Seminar. Emshwiller described it as "a roaring picture of motorcyclists...

17 de abr. de 1964

The pointillist score accompanies changing line, form, and color to create an animated film painting, achieved through the exploration of spontaneo...

01 de jan. de 1959

Featuring Bill Weidner and Connie Brady, BRANCHES was made in a filmmaking workshop at Cornell University during the summer of 1970. The film was i...

06 de nov. de 1970

A look at painting, sculpture and the dance in the United States today, as represented by works of many of its best-known artists - Andrew Wyeth, A...

01 de jan. de 1966

A film by Ed Emshwiller that surveys, without narration, the vast human and material resources committed to the U.S. space program. Uses recurring ...

08 de ago. de 1968

Dance Chromatic (1959), integrates film and painting. Dance Chromatic reveals that the contradiction between the desire to convey the organic growt...

01 de jan. de 1959

A filmic interpretation of a modern dance ballet by Alvin Nikolais. Earth, fire, water and primordial mysteries in a cine-dance.

30 de dez. de 1963

A kaleidoscopic collage of colours and dehumanised modern dancers, making subtle use of double exposure and electronic music. Shapes move and grow ...

01 de jan. de 1967

An impressionistic portrait of America's diversity

05 de mai. de 1965

Dubs is a somewhat abstract, experimental video without a clearly defined plot. It focusses mostly on the relationships between men and women and t...

06 de jun. de 1978