Jakobois

One of Mark Rappaport's later narratives (which won the Gold Hugo for Best First Feature at the Chicago International Film Festival in 1979), Impos...

16 de mar. de 1979

01 de jan. de 1982

Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy devo...

19 de abr. de 1980

All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduc...

30 de ago. de 1977

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an in...

22 de dez. de 1978

"Sounds of images" come to me from the windows overlooking rue Saint-Maur (the former pilgrims' path to Saint-Denis) and suddenly make me want to t...

17 de mar. de 1986

28 de ago. de 1979

"...the main thing, both during filming and during editing, was not to pay attention, simply to wait to be surprised by a detail and let myself be ...

29 de out. de 1984

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

16 de mar. de 1983

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look agains...

31 de dez. de 1983

29 de ago. de 1978

Film in three parts: (1) Paranorama 3 and 4: a handmade Région Centrale. At once observation and description of the realm of vision, of what is po...

31 de dez. de 1978

31 de dez. de 1979

01 de jan. de 1980

Images from the bridge over Canal Saint-Martin in Paris. The inland waterway vessels Rose and Pluie de roses pass each other. Changes pile up and t...

29 de out. de 1984

Film made by passing - passing through - passing through - passing from an erotic desire to a filmic desire. The eye slipping from one object of de...

08 de jun. de 1983

25 de mar. de 1979

Sarah B. relives her awkward film debut. On a pedestal table, a headline, on the front page of France-Soir, challenges her, she immediately transce...

01 de jan. de 1980

01 de jan. de 1978