Malcolm Le Grice

22 de dez. de 2011

Abstract art film made for gallery exhibition.

06 de set. de 1973

16 de nov. de 1970

Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in order to qu...

01 de jan. de 1975

This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only th...

20 de dez. de 1969

01 de jan. de 1972

"3D Video SBS (side by side) format. For viewing on 3D monitor or television" -Le Grice

07 de jul. de 2015

Film shadow performance. "First presented in 1971 using three 16mm projectors each with a short loop of changing colour. Projected onto the same s...

02 de jan. de 1971

An impromptu portrait of Jonas Mekas shot at the Serpentine Gallery, London on the occasion of a celebration of his 90th birthday. All made in a si...

04 de jun. de 2013

01 de jan. de 1974

Film performance, using a back projection screen as well as several projection sources, including a red and green source close together (requires 3...

01 de jan. de 1972

A brilliantly constructed, melancholic ode to the passing of time by Malcolm Le Grice.

02 de jan. de 1977

Emily - Third Party Speculation is the second of a ‘domestic trilogy’ exploring the relationship between the restricted camera viewpoint and the co...

10 de jul. de 1979

Directed by Malcolm le Grice.

02 de jan. de 1983

"My experience of Monet’s large-scale panoramic paintings of his water lily garden when I was about 14 years old became a crucial artistic memory. ...

21 de fev. de 2008

Originally shot as part of Finnegan’s Chin, this sequence is re-edited as a portrait of performer Jack Murray. It continues the fascination of the ...

01 de jan. de 2006

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a movi...

01 de jan. de 1967

Colour - Water –Rain – not a water colour – bougainvillea in extreme close-up – touching the lens – swimming pool below in the dark.

01 de jan. de 1994

An encounter with a small man-made waterfall presented in a triptych format.

01 de jan. de 1993

Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and ...

01 de jan. de 1987

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

01 de jan. de 1973

"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film h...

01 de jan. de 1972

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of ...

19 de ago. de 2006