Martin Arnold

In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal...

01 de out. de 1998

An avant-garde sonic and visual reediting of a short clip from the classic 1962 film "To Kill a Mockingbird".

05 de out. de 1993

Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, ...

01 de jan. de 1989

A short segment of film is played with musical backing at various speeds for a jarring effect.

01 de jan. de 1993

"It had to be me."

09 de jun. de 2014

Recomposing teeth gestures.

04 de mai. de 2013

In a later group of short film loops such as Soft Palate (2010) and Whistle Stop (2014),[5] Arnold seems to discover psychoanalytic underbellies in...

01 de jan. de 2017

In a later group of short film loops such as Soft Palate (2010) and Whistle Stop (2014), Arnold seems to discover psychoanalytic underbellies in th...

01 de set. de 2010

cel animation, repetition, and disappearance... color, sound, 5:20 loop, 2015

09 de fev. de 2015

Rendering and composing a fragment from the shower scene of Alfred Hitchcock´s Psycho anew with the possibilities of digital retouching

01 de set. de 1997

color, sound, 3:00 loop, 2016

08 de ago. de 2016

color, silent, 2:50 loop

01 de jan. de 2020

color, sound, 2:14 loop, 2020

01 de jan. de 2020

Body parts of a cartoon character.

01 de jan. de 2010

Parts of Mickey Mouse floating in a Haunted House

20 de out. de 2011

A 12-hour installation piece comprising slowed-down footage of Renée Jeanne Falconetti in Carl Theodor Dreyer's 1928 film La Passion de Jeanne d'Arc.

25 de out. de 2002