Martine Rousset

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers a...

01 de ago. de 1977

To examine the image of this face, this look, there are fragments of raw stories, mineral lights, snatches of an endless dream ... The insistence ...

01 de jan. de 1995

Listen to the trace, over the absent times, from the shore, at the very edge of the page, in the blind corner where the reader is held, give a voic...

27 de mai. de 2022

Aurore collective is composed of 50 sequences filmed in Dijon and Paris (successive places of residence of the filmmaker), Chalon-sur-Saône, Valenc...

02 de set. de 2020

"Yerevan, Armenia, in the illegible secret of the country, imprisoned in its shadows, in its nights of the underground, nights of the basements, tr...

25 de abr. de 2017

Originally a text in fragments, more or less biographical, of different characters. Crossed stories, mixed times, memories and inventions. Coming ...

01 de jan. de 1998

An unknown writer written under the pseudonym of Laure at the beginning of the century. Readings. Geography. The places of a writing. The forces th...

01 de jan. de 1984

A cinematic metaphor, conceived as part of a compilation of films on AIDS, this is an emotional translation of the disease. The juxtaposition of mu...

24 de nov. de 1992

The last part of the Carolyn Carlson cycle. Last look. Oversight. Irreversible erasure. The song is immersed. Blinded.

01 de jan. de 1981

Rousset photographs a train station in the evening, then boards a late-night train bound for mountainous Anatolia.

01 de jan. de 2015

The first part of the Carolyn Carlson cycle. Between her and herself. Three images of the dance are repeated, come up against opacities that do not...

29 de jun. de 1977

"Readings. A place. Purity of lines. Fine angles. Dominance of whites and blues. Fragility of tapered glasses." A visual evocation of the writing o...

01 de abr. de 1988

Portrait. She dances in the center of her area. Obscure to the look. She abandons us to her limit. Turn. Count the chips. Conjugate. Turn on yourse...

23 de jun. de 1980

Wandering through Central Asia, the Caucasus, Kurdistan… to Istanbul. Cities and trains, steppes and snow, down there where the pulse of time evapo...

25 de nov. de 2019

Filmmaker's visual diary aboard the Vangolu Express.

01 de jan. de 2015

Readings. Heinrich von Kleist / Robert Walser. Contiguous. They talk about imagination. Walser imagines Kleist, Kleist nobody, but Penthesilea. In...

04 de mai. de 1993

Landscapes. A utilitarian nature. Contemporary. Cruel images. Changing. Seasons. The watch could be eternal. Each image transparent and non-avenue....

16 de dez. de 1985

On the one hand: A frame - and then windows in the frame - Spiked - from one to the other - Images designated - fenced, inside / out. Every momen...

13 de nov. de 1990

Winter, fog, outside. The outline of eyes, sometimes we could ride those trails.

01 de jan. de 2008

The voices say a story. forget it. Of what time. And who speaks. Both of them. One or the other. later. Others may be. Of chance. Which would cr...

29 de out. de 1991

A film about my relationship to New York since 1962. It deals with the distance between a memory and the image of this memory, a distance one alway...

01 de jan. de 1994