Desculpe, mas ainda não temos uma biografia para Mary Helena Clark
An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander,...
20 de jan. de 2023
Uma reflexão extraordinária sobre a natureza do progresso democrático nos Estados Unidos, o documentário singular de John Gianvito mostra os cemité...
01 de ago. de 2008
For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform rela...
04 de jan. de 2018
An impressionist sea ponders the movements of creatures, seeing them in its dreams like dots swimming on its surface, carried along by the waves th...
01 de jan. de 2009
The title piece is a two-channel video centered on the mouth – as a tool to bite and chew, as an instrument of speech, and as a site of disgust and...
25 de jan. de 2024
Diaristic but also generously expansive, Mary-Helena Clark's disarmingly raw and beautiful The Dragon is the Frame proceeds like an experimental de...
05 de set. de 2014
Pivoting between two stories of women and their relationships with objects—a Swedish woman’s marriage to the Berlin Wall, and a suffragette’s hatch...
30 de set. de 2022
In day-for-night blue and hunting camera night vision, darkness is replicated and punctured. Looking finds bodies in the dark, at the threshold of ...
01 de set. de 2020
Musical and mysterious, Mary Helena Clark’s Palms is a modular, sphinx-like film in four parts, comprised of two hands animating stillness, the rep...
13 de set. de 2015
A walk through corridors and rooms culminates in a familial Reiki session – what’s underneath and within. Zero Length Spring is an apotropaic film,...
01 de dez. de 2020
A spy film, built on the bad geometry of point-of-view shots.
01 de jun. de 2012
In this elliptical audiovisual diary, cinema’s extrasensory capacity is given surprising form. Here, what we see (the human throat, Gothic statuary...
16 de mai. de 2018
By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more...
25 de mar. de 2017
Experimental short about a man and some trees.
01 de jan. de 2010
15 de mai. de 2012
“Henry James had his figure in the carpet, Da Vinci found faces on the wall. Within this Baltimore wallpaper: a floral forest of hidden depth and c...
01 de jan. de 2008
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