Michael Snow

Filme experimental em um único plano, feito em um grande cômodo urbano.

29 de dez. de 1967

Various unrelated vignettes, often juxtaposing sound and image.

05 de nov. de 1974

A 1971 experimental Canadian film directed by Michael Snow. Shot in the Canadian mountains over a period of 24 hours using a robotic arm.

12 de fev. de 1971

English and French words flash individually over a black background.

03 de jun. de 1982

The apparent vertical scratch in celluloid that opens Presents literally opens into a film within the film. When its figure awakens into a woman in...

05 de mar. de 1981

A continuous zoom traverses the space of a breakfast table, serving as a grand metaphor for indigestion.

31 de dez. de 1976

A surreal and comic exploration of an office space and its inhabitants and the decorations of a living room.

26 de jan. de 2002

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

21 de mai. de 1969

Panning shot of a room while a group of people discusses film while eating at a table.

03 de nov. de 2000

A loop of two parts of a film, superimposed on top of one another, that concern a man who has arrived at the house of his lover and her husband to ...

19 de mar. de 2005

Lamentations: A Monument to the Dead World belongs to a 35-hour film cycle, The Book of All the Dead, which comprises the bulk of Toronto-based Bru...

10 de out. de 1985

A silent succession of black-and-white photographs of the city of Montreal.

25 de set. de 1969

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in ...

30 de jan. de 1967

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera...

17 de jul. de 1964

To Lavoisier Who Died in the Reign of Terror (1991) is a collaboration with filmmaker Carl Brown, who specializes in homebrewed chemical film devel...

04 de out. de 1991

A shorter, significantly altered version of Wavelength (1967), where the original film is overlayed upon itself.

06 de mar. de 2003

From La Région Centrale (1971), Snow orchestrates new patterns of movement that exchanges the focus on landscape with the cityscape of Toronto.

18 de abr. de 2019

Commissioned by the Toronto International Film Festival to mark the event's 25th anniversary in September 2000, the "Preludes" program consisted of...

15 de nov. de 2000

Experimental short in which a camera pans quickly in a small apartment space; Disembodied voices speak of audience engagement.

02 de ago. de 1967

Two 16mm films are projected in a loop on a thin painted aluminum screen hanging in the middle of a room. We can hear the projectors at each end of...

01 de jan. de 1974

"Vanity. Had a beard. Appearance (looks). Looking. Disappearance act. Hand-made fades and zooms but camera made shave. Camerazor. Handsome. Tired. ...

01 de jan. de 1965

Puccini Conservato uses a CD, a sound recording of some Puccini music (from La Bohème). The source of the sound (the loudspeakers) in a continuous ...

08 de nov. de 2014

A man (Snow himself) rises from his desk, puts on his scarf and coat, says goodbye to a woman typing at a nearby desk, and leaves the room.

01 de jan. de 1990

Little Walk (1964) is Michael Snow’s first gallery film installation. It arrives as a diplomatic envoy from New York’s art and film worlds of the s...

01 de jan. de 1964

Although Seated Figures is characteristically confined by a specific placement of the camera — in this case, fixed to the rear of a pickup truck an...

30 de jun. de 1988

Solar Breath (2002) is a 62-minute loop of fluttering curtains that reveal and conceal an idyllic landscape in rural Newfoundland.

01 de jan. de 2002