Nazli Dinçel

The ground holds accounts of once pagan, then christian and now muslim ruins of the city built for Aphrodite. As she takes revenge on Narcissus, mi...

17 de abr. de 2017

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform rela...

04 de jan. de 2018

These three films follow a young girl through her teenage years while she explores her sexuality and discovers her perversions. Hand-processed and ...

28 de jan. de 2016

Found Film.

23 de jul. de 2014

"An eye-opening piece of guerilla counter-surveillance, Untitled documents Dinçel’s time working as a tech assistant at a film festival where they ...

01 de jan. de 2016

A transcription of what I have been told during intimate experiences while separating from my husband. Sections consist of destroyed originals from...

23 de jul. de 2014

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface,...

27 de jan. de 2018

Dinçel’s meditation on female labour utilizes close-up textures of skin, grape leaves, earth, and fabric, which are accompanied by a song written o...

12 de abr. de 2018

Inability is the first film in the series about human failure. The filmmaker destroys and re-creates a film she was unable to finish in 2013. Filme...

05 de jul. de 2016