Saul Levine

Stan Brakhage with a movie camera. Winter seascapes.

01 de jan. de 1993

This film was shot the same weekend as Z (Zee Not Zed), when Stan Brakhage was visiting University of Rhode Island, where Marjorie Keller was teach...

01 de jan. de 1995

01 de jan. de 2014

Made in Binghamton in 1976 - a warped record constructed out of visits to the zoo, relatives and various locations. Appearances by obsessive birds,...

02 de jan. de 1976

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform rela...

04 de jan. de 2018

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the f...

12 de abr. de 2018

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Not...

01 de jan. de 1969

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left – 68/...

18 de ago. de 1969

Notes on chance, readymades, and time. Shot at Massart graduation 1997 and Boston 4th of July97. Some of the people appearing are Barbara Bosworth,...

14 de fev. de 2019

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not on...

01 de jan. de 1988

20 de abr. de 2018

"Afternoon idyll with Nancy Frumkin."

01 de jan. de 1978

A small apocalypse prophecy on the threshold of disaster world/home

25 de mai. de 2018

Wild flowers, morning glories, an urban jungle an eden for a petite Tyger.

05 de mai. de 2018

DEPARTURE is a film that was shot in 1976-77 during a year when I lost my job due to both cutbacks at the campus at which I taught and my involveme...

01 de jan. de 1991

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the f...

19 de set. de 2011

A short video in which Levine, facing a crescent moon, remembers Marjorie Keller telling a dream she had with her female friend, also a film direct...

01 de jan. de 2001

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

01 de jan. de 1996

Conceived, performed and edited by Saul Levine. Camera by Pelle Lowe. The title says it all. "A film in the old style." -- Bill Brand

01 de jan. de 1991

As editor of "New Left Notes", the newspaper of Students for a Democratic Society (SDS), Saul Levine was at the center of multiple radical politica...

01 de jan. de 1982

A portrait of a mother with her arms full in the backyard bathing her twin babies as the early spring light sings and dances. Later the father cook...

01 de jan. de 1991

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.

01 de jan. de 1972

Directed by Saul Levine.

02 de jan. de 1976

A film by Saul Levine

01 de jan. de 2000

Saul Levine spent six years (from 1967-1973) cutting up and re-editing 8mm prints of two Charlie Chaplin shorts, IN THE PARK and EASY STREET, into ...

01 de jan. de 1973

A FEW TUNES GOING OUT series: part 3

01 de jan. de 1984

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the f...

09 de mai. de 2004

“[GROOVE TO GROOVE] continues this kind of portraiture, concentrating on Mai Cramer and Levine, and develops the 'bi-lingual' paradigm of film and ...

01 de jan. de 1984