Seoungho Cho

In 0, Seoungho Cho literally counts cars speeding down a freeway. The interwoven and digitally rendered content — cars, the sounds they produce, nu...

20 de fev. de 2007

All images in this work (entirely made of stills) are put together intuitively. They are not bound by rules or a script, but captured and edited sp...

05 de jan. de 2024

A landscape that has captivated many filmmakers and enshrined itself in our collective cinematic lore is here abstracted to its foundation: colour,...

25 de jan. de 2023

Images from an unknown landscape are subjected to the roving eye of artist, Seoungho Cho. Details from bodies of water and bits of the accompanying...

12 de dez. de 2021

ws.3 is a minimalist investigation of the texture of landscape. A windy, abstract soundtrack accompanies close-ups of a lunar-like, brilliant blue ...

10 de jun. de 2003

Focus, sound and editing are used to convey the intensity and serenity of Buddhist meditation and ritual.

02 de ago. de 2016

Cho's internal visions and his perception of the outer world come together in an abstract meditation on space, place and sound. Natural landscapes ...

27 de jan. de 2018

Consciousness perceives the world through our senses and individual, subjective experiences. I am not realizing reality in a true sense. I am looki...

18 de out. de 2021

Writes Seoungho Cho: "The sea horizons which I observe through time lapsed video recordings were a constant mutation with recondite colors between ...

12 de ago. de 2016

A short film by Seoungho Cho

22 de nov. de 2017

Recorded in the chilly, indeterminate locale of airport terminals around the world, Seoungho Cho's surreptitious footage of travelers biding their ...

10 de abr. de 2010

A film by Seoungho Cho

30 de jun. de 2017

A focused architectural study that evolves into a kaleidoscopic collage. Cho animates and layers richly saturated video frames of interior architec...

08 de ago. de 2013

In Blue Desert, Seoungho Cho transforms a sublime natural landscape into a stunning abstraction through precise electronic manipulation. Writes Cho...

06 de dez. de 2011

Seoungho Cho writes: "I received permission to videotape an unknown sannyasi having a siesta as if he were in a deep meditation. Usually we believe...

15 de out. de 2014

Seoungho Cho writes: "When I noticed some moments from my studio window in its prosaic reality, I started to make a 'List' of these accumulated mom...

09 de ago. de 2014

Seoungho Cho writes: "This work is based on an attempt to psychologically document my routine but unconscious line of questioning as to if I were a...

25 de jul. de 2014

A moody landscape of mountainous islands, recorded from a wave-tossed boat, is infused with the bobbing motions of the camera. In an effort to over...

31 de jan. de 2009

A poetic tableau of village life surrounding the Morning Calm Monastery in Luang Prabang, Laos. Cho manipulates time within fixed frames, creating ...

18 de jun. de 2013

The golden, barren landscape of Death Valley, California, recorded by Cho from a moving car, provides the luminous and mysterious texture of Buoy. ...

08 de jun. de 2008

In Butterfly, Seoungho Cho pursues an associative connection between a Buddhist drumming ritual and the pulsing drum solo in Iron Butterfly's famou...

13 de mai. de 2008

Hands work furiously over the pleasing shape of an insensate computer mouse, either out of frustration or fixation. The red glow of the mouse's las...

12 de set. de 2010

Seoungho Cho employs complex visual editing and rich sound to explore the landscape of Death Valley. He writes that he has "...refined a theme that...

21 de jan. de 2011

In this video, Cho conjures a frightening world of humans engulfed by electronic lights and flares. At first, the silhouettes of men and women pass...

27 de mar. de 2009

A haunting and romantic journey, Forward, Back, Side, Forward Again hypnotizes the viewer with blurred imagery of passersby. Dynamic visuals conver...

04 de fev. de 1995

1/1 is a new direction for Seoungho Cho. This playful study, shot largely in degraded black and white, knowingly recalls the early performative exp...

06 de jun. de 2001

With its stationary camera shots, tight focus, and almost uniformly black and white images, Seoungho Cho's Horizontal Silence is an experiment in m...

20 de nov. de 2003

67/97 begins by imagining the information collected when a bar code is scanned, and then asks: What if everything could be read by a scanner? What ...

12 de jul. de 2001

The raw material of Show Your Tongue is a document of teeming pond life. Adding an electronic soundtrack and using powerful yet subtle digital mani...

15 de abr. de 2005

The camera is filming people walking through streets and parks, but is not following anyone in particular or trying to register any particular even...

08 de mai. de 2000

Seoungho Cho continues his sophisticated investigation of the moving image, its manipulation through video processing, and the ways in which these ...

30 de jun. de 2004

Cho creates a visual manifestation of the dream state, an idealized dream state wherein the artist's control of technology becomes equivalent to th...

04 de abr. de 1992

orange factory travels the back-roads of the Korean countryside at twilight. A haunted voice, reading from Ryu Murakami's Almost Transparent Blue, ...

03 de mar. de 2002

Cho continues his examination of identity within an urban environment, envisioning the frenetic dissonance of an urban landscape that is at once al...

22 de set. de 1997

Iris is a meditation on the death of a family member. Here Cho deploys the camera as metaphor, likening the opening of the camera's iris and its sa...

07 de jul. de 1994

Identical Time is an exploration of isolation within an urban environment. With skilled visual manipulations, Cho transforms images of a graffiti-m...

21 de out. de 1997

Cho continues his imagistic exploration of the psyche of the solitary individual. Using a combination of meditative static shots and frantic camera...

10 de ago. de 1996

Snap is a taut, minimalist work that explores the aesthetics of digital video production. Fingers and hands in close-up move fast, then slowly, to ...

26 de ago. de 2006

Using the "blink" as a visual metaphor for the often fragmented, non-sequential and interrupted nature of memory, Cho constructs a phantasmagoric t...

01 de jan. de 1993

In Cold Pieces, Cho focuses on water, drawing from this broad theme an extended investigation into the mutability of pure form; water, after all, h...

01 de jan. de 1999

With Untitled, Seoungho Cho continues to refine and heighten the issues he has long pursued in his quietly beautiful work. The source material for ...

01 de jan. de 2004