Stewart Applegath

One Goes On follows individuals and the events which influence our perceptions of them. A young lawyer indifferently discusses a relationship; a wo...

01 de jan. de 1990

Ostensibly embarking upon a portrait of a "modern-day Abraham Lincoln", Escaping History traces the development of a relationship between the video...

01 de jan. de 1992

In the heat and desolation of Santa Fe, California, three people are connected and disconnected by proximity, nature and circumstances. Dwight is a...

01 de jan. de 1991

In Keep Moving, three men work to make ends meet and to understand how they have arrived where they are. Two are single fathers coping with parenta...

01 de jan. de 1994

Deep South 1990: what changes and what does not. Whites of Their Eyes focuses on four people : Richard, a student at Tulane; Mack, a resident of Se...

01 de jan. de 1991

This tape focuses on the nature of urban development in Chicago, the centre of American architecture. We encounter three people who relate some of ...

01 de jan. de 1991

Five deals with questions of identity and self-perception, highlighting the inherent difficulties (impossibility?) of expressing or communicating s...

01 de jan. de 1988

Open Season considers some of the founding heroes and myths of the American frontier, set within a contemporary landscape. The people we encounter ...

01 de jan. de 1991

A disembodied video eye floats over the road, from side to side, exterior to interior, watching, waiting, moving inevitably ahead.

01 de jan. de 1988

Every summer, thousands of people go to Sainte-Anne de Beaupré to celebrate the feast of the patron saint of the sick and disabled. Notes on the Sa...

01 de jan. de 1990

When sculptor John Greer and filmmaker Stewart Applegath began shooting, they had no destination, only a desire to journey together in a row boat w...

01 de jan. de 2001